moving image
(Originally directed by Hollie Warner; re-edited into a new narrative.)
The landscape plays a central role in this process. The mountains, the wind and the horizon are not simply a backdrop, but active presences that shape perception and emotional experience. Within this environment, the act of moving through space becomes a way of thinking, a physical translation of an inner condition.
I was particularly interested in working with time as something unstable, stretched and recursive, rather than linear. Through image and sound, the film attempts to create a suspended state in which moments echo and repeat, allowing subtle shifts to emerge.
THE DRIVE does not seek resolution. Instead, it approaches transformation as something quiet and continuous, a process that unfolds through attention rather than action. In this sense, the work reflects on vulnerability not as a weakness, but as a necessary condition for change, a space in which a different awareness of self can begin to take form.